Ebook Last Days at Hot Slit: The Radical Feminism of Andrea Dworkin (Semiotext(e) / Native Agents), by Amy Scholder
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Last Days at Hot Slit: The Radical Feminism of Andrea Dworkin (Semiotext(e) / Native Agents), by Amy Scholder
Ebook Last Days at Hot Slit: The Radical Feminism of Andrea Dworkin (Semiotext(e) / Native Agents), by Amy Scholder
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Review
Fateman and Scholder's anthology is useful as a primer on works by a figure consigned to the radical fringe of feminist discourse.―Kirkus ReviewsDworkin wants us to look straight at those questions in feminism that are the most delicate, the most painful, where women have the most to lose. Dworkin had reason to be angry: Her life was marked by the kind of male violence that is disturbingly common yet consistently goes unacknowledged.―BookforumDworkin became the ultimate symbol of radical feminism for a generation coming of age in the 1970s and '80s. This collection of her fiction and nonfiction mixes her most controversial writing with autobiography, like “My Suicide,†an essay discovered after her death in 2005.―New York Times Book Review, "New and Noteworthy"So what is it in Dworkin's long-neglected oeuvre that has suddenly become resonant? Perhaps it's simply because we're in a moment of crisis, when people seeking solutions are dusting off all sorts of radical ideas. But I think it's more than that. Dworkin was engaged, as many women today are engaged, in a pitched cultural battle over whose experiences and assumptions define our common reality.―Michelle Goldberg, New York TimesYet time has smoothed many of Dworkin's rough edges. As her overheated rhetoric cools, what is left is the singlemindedness of a woman who courted disgrace, harassment, and mockery in pursuit of liberation. If her tactics were flawed and her polemics often excessive to the point of camp, her ability to trace the awful vitality of sexism is still resonant. “Equality is a practice,†she wrote. “It is an action. It is a way of life. It is a social practice. It is an economic practice. It is a sexual practice. It can't exist in a vacuum.†The book reintroduces her as a revolutionary thinker unafraid to be the stereotypical “angry woman.†Indeed, she embraced that role. She was an artist of rage, alternately poetic and ridiculous, incisive and messy, compelling and tedious.―Boston ReviewIt's book that a new generation of feminists should want to get their hands on.―BustleThe book is a mirror for what I've been afraid of for years: being defiant, being ugly, being unloved by men, even being unloved by other feminists like Andrea Dworkin.―Nona Willis Aronowitz, New York Magazine's The CutLast Days At Hot Slit pays homage to the Marchiano-era Dworkin, to the anachronistic anti-porn persona everyone loves to hate, but along the way, it makes some much-needed jagged cuts.―The Daily BeastDworkin sacrificed her comfort, her reputation, and to some extent herself for her writing. What she never gave up was style. ―New Yorker
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About the Author
Andrea Dworkin (1946–2005) was an American radical feminist author associated with antipornography, antirape, and battered women's movements of the 1970s and 80s. She wrote more than ten books, both nonfiction and fiction, and she coauthored, with feminist law professor Catherine Mackinnon, the highly controversial Antipornography Civil Rights Ordinance of 1983.
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Product details
Series: Semiotext(e) / Native Agents
Paperback: 408 pages
Publisher: Semiotext(e) (March 5, 2019)
Language: English
ISBN-10: 1635900808
ISBN-13: 978-1635900804
Product Dimensions:
5.4 x 1.1 x 8 inches
Shipping Weight: 1 pounds (View shipping rates and policies)
Average Customer Review:
5.0 out of 5 stars
1 customer review
Amazon Best Sellers Rank:
#18,875 in Books (See Top 100 in Books)
Andrea Dworkin is known as a "radical feminist." For those of us who are paying attention, she just tells it like it is.This is the most profound, clear-sighted, truth-telling piece of feminist writing I have ever encountered. She exposes the millennia of brainwashing that leads men to believe they are the rightful subordinators of women (and leads women to believe that's all we're worth). It can be rough reading because Dworkin has no interest in sugar-coating her points. But sometimes the truth is rough.This will likely mainly appeal to women, which is a shame. If men could try to understand this perspective the world would be a much better place.I will be giving this book to my daughters once they're old enough.
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