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Fiction House: From Pulps To Panels, From Jungles To Space
Free Download Fiction House: From Pulps To Panels, From Jungles To Space
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About the Author
Craig Yoe is an author, editor, art director, graphic designer, cartoonist and comics historian, best known for his Yoe! Studio creations and his line of Yoe! Books. In 2016 Yoe won the Eisner Award for Best Archival Collection/Project.
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Product details
Hardcover: 300 pages
Publisher: Yoe Books (November 28, 2017)
Language: English
ISBN-10: 1631408674
ISBN-13: 978-1631408670
Product Dimensions:
8.9 x 1.3 x 11.2 inches
Shipping Weight: 3.7 pounds (View shipping rates and policies)
Average Customer Review:
4.1 out of 5 stars
8 customer reviews
Amazon Best Sellers Rank:
#250,955 in Books (See Top 100 in Books)
From Roy Thomas's excellent intro (is anyone more fun to read when it comes to Golden Age comics than Roy Thomas?), to Hames Ware's forward, which gives us, among other things, a nice little historical perspective (I love history), to "The Secret Origins of Fiction House", where we learn, among other things, that "Bearcat" Glenister, the founder of Fiction House, was, besides being a shrewd businessman, quite a colorful character and very adventurous, to "All In Color For A Dime (Well, Almost, Anyway!) where we get an abridged history of pulps and comics- here's a quote- "A full 4 years before Superman, it was clear that there was money to be made by publishing comic books.". This chapter respects our intelligence (if you're buying this book you don't need a point-by-point history of the comics) and explains where the term "Pulp Fiction" came from, and also goes into some detail regarding the relationship between the Eisner & Eiger Shop and Fiction House, to "The Women Of Fiction House" (not Sheena, etc. but biographies and photos of the women artists!) this book is a treasure! Then there's a shorter chapter on the men artists, which is fine with me because most of them (Eisner, Elder, Feldstein, etc.) we already know pretty well. Another great thing about this book is, despite the massive information it provides, the text is fairly small, but very readable, which leaves more space for ILLUSTRATIONS. And, thank God, IDW and Craig Yoe are not squeamish about scantily-clad gals. There is a teeny-tiny bit of nudity in here, in a cover-rough or 2, and especially in a joke Planet Stories cover that Joseph Doolin did (in the Joseph Doolin monograph "extra book" section). Full page. Thank you, Craig Yoe and IDW. This "extra book" alone is worth the price of admission. And I didn't even get to the massive "The Big Six" section, which includes delightful descriptions of the big 6 Fiction House titles (Jumbo, Wings, Fight, Planet, Jungle and Rangers Comics). Not only this, it includes oversize reprints of entire stories as well as tons of very rare original art. An incredible tome. Thank you, Craig Yoe and IDW!!!!
It is probably beyond reason to expect a single volume to capture the depth and scope of Fiction House's comic book output. In light of that, this volume will have to do. I must echo the complaints of others, the typeface in the narrative is ridiculously small, even so, I could read it clearly with only an occasional problem. The introductory material is very good. We get a history of Fiction House in its pulp and comic book publishing incarnations, a profile of the many female artists who worked for Fiction House (unusual at the time) and its beginnings in the comics industry through the Eisner and Iger guns for hire. The main attraction of this book however are the comic book reprints. Each of the "Big Six" as well as some of the lesser lights appear in beautiful fill color and actual size. This section of the book justifies the price of this volume. I get the sense however that these are not necessarily the BEST issues of the comics in question, but they are illustrative of Fiction House's main skill, pulchritude! Leggy women in mini-skirts and animal skins or slinky ball gowns, What's not to love? Fiction House ingenues were no shrinking violets, they were strong, independent women who never required rescue by any man. Even so, we are treated to Shenna skinny-dipping and lots of interesting physical restraints of lithe, sexy females in the form of ropes and chains. In short, the men and women behind the pencils knew EXACTLY what they were doing!One star comes off because of the absurdly small typeface and the fact that I caught an error or two and I am no comics expert. Even so, this is a worthy addition to your library.
Fiction House began as a publisher of adventure and science fiction pulps, with its output being fairly undistinguished, but then the publishers had the idea of spinning off comic book equivalents of many of their popular pulp titles. The rest is history, because the comic versions became treasure houses of what came to be known as "good girl art." And the covers were often nothing short of spectacular.What we have here is a coffee-table volume which gives a brief and rushed summary of the history of Fiction House, in an eye-blastingly tiny font, and then offers a look at typical stories and art in the various comics titles. Probably the most interesting part of the volume is a section where pencil sketches of proposed cover ideas, by Joe Doolin, are compared when possible to the finished covers. I was a faithful reader of PLANET COMICS for its last few issues, circa 1950 - 53, and it's interesting to see that the most impressive covers in this era were being done by the Iger shop... it's as if Fiction House had come full circle from the late 1930s era when almost all of its comic content was from the Eisner & Iger shop.What you get for your money are some full-color reproductions of complete stories from the various long-running comic magazines of Fiction House, and a good selection of full-color cover art, plus some photos of original art from an auction house. Let me warn you that ALL jungle girl stories have EXACTLY the same plot, as I realized as a kid. The most famous good girl artist working for Fiction House was the legendary Matt Baker. His girls are actually not all that sexy, because he delights in sketching them in increasingly grotesque "action" postures suggesting they are all double-jointed.There is quite a bit of carelessness in the compilation of this volume. For example, a very interesting full-color comic reprint from JUMBO Comics, in the "Ghost Gallery" series, is missing its final page.
Loved this book. Some items are complete stories. The characters are well represented and the artwork is outstanding. Just sit back and relax and enjoy what old time comics we're all about.
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